B 52 nude on the moon anthology

The B's were one of the great new wave bands, one of the ones who defined the style and cut one of the great records of their time their eponymous debut , an outfit who maintained a dedicated following even as they fell off the radar of critics and hipsters, a group who overcame a tragic loss guitarist Ricky Wilson to make a startling, unpredictable comeback that launched them beyond college radio and to the top of the pop charts. It's a hell of a story, even if the final act was decidedly anticlimatic after one follow-up to the Cosmic Thing comeback, 's Good Stuff , the group essentially disappeared apart from an embarrassing version of the Flintstones theme for the big-screen adaptation , and they're easily one of the more legendary bands of their time. Unfortunately, legend doesn't always translate to great music, and the fact of the matter is that the B's really only had two very good records: the transcendent debut and the comeback. The second record had its share of moments, more than the other albums that followed, and there were some sublime cuts scattered among the other records, but by and large they were a band who got by on their brilliant moments -- brilliant moments that were surrounded by competence and mediocrity. It really was the kind of career that could be salvaged and justified by a tremendous double-disc retrospective -- which Nude on the Moon: The B's Anthology unfortunately isn't.
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The B's - Nude On The Moon: The B's Anthology (, CD) | Discogs

Appropriately, it started in the back of a Chinese restaurant in the South, with five people sharing a mammoth drink called a Flaming Volcano. On the most superficial level, the 25 tracks of kitschy, bikini-beach New Wave are a document of playful, danceable creativity from Planet X. But lurking below the songs about the mod-plasticity of love, monsters from beyond, Southern jive-talking spies and low-budget surf guitar are the seeds of a cultural revolution. Most importantly, these are the voices that created an off-center, oversexed, sci-fi world of beach parties, spy games and teenage rebellion that belonged exclusively to societal underdogs — and still does. Nate Cavalieri writes about music for Metro Times.
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Nude on the Moon: The B-52's Anthology

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Comments
  •   Samukasa June 6, 2018
    lol she didnt want them to touch her hair at all....
    +4 -11
  •   Malataxe August 8, 2019
    My head says horrible acting, but my dick says dat ass!
    +17 -6
 
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